Future of Olympic Theatre may be in question

Oct. 12, 1963 Olympic Theatre ad.

The Arlington Times reports today about a new challenge facing the historic Olympic Theatre in downtown Arlington: the plan by Hollywood movie studios to stop producing 35 millimeter film and go to a digital-only format.

Norma Pappas has owned the Olympic Theatre since 1977 when she bought the space with her dad. She has been running the theater for 35 years doing everything from splicing film to selling tickets and concessions. She prides herself on having affordable prices and being a staple in Arlington, especially for young families who could not afford the movie experience at large corporate multiplex theaters. (Source: The Arlington Times)

The cost of upgrading to digital could be as much as $100,000, according to Pappas. Not the kind of cash a family business has laying around.

I recently wrote an entry about the Olympic, as the start of an occasional series, "My Favorite Places." The Olympic Theatre has been in operation continuously since 1939, and is one of only two independent single screen theatres left in Snohomish County.

I have great memories of seeing movies there in junior high and high school, and we still make the trek down for the occasional "grown up" movie — the Olympic's demographic is families and children, so the schedule is heavy on child-friendly films.

So what can be done to keep the Olympic from going dark? So far, a "Save the Olympic Theater" Facebook page has been created by local fans. But thus far there is more talk than action — I think as outsiders looking in, many people are hesitant to offer help or ideas, because they don't want to be perceived as disrespecting Pappas' amazing 35 year commitment to the theater.

As with many things of a historic nature here in Arlington, there is so much potential for more. But things tend to move at a slower pace in Arlington then they do elsewhere.

The movie studio timeline for retiring 35mm film is on track for as early as 2013. That doesn't give the community a whole lot of time to take any action — that means now is the time to step and make a commitment to the Olympic.

But where to start? Easily enough, we can look toward the examples of other local historic theaters:

• The Edmonds Theatre, built in 1923, is privately owned and recently upgraded to digital. I was unable to find information on how the upgrade was financed, but in the last five years the owners have invested some $50,000 in other renovations.

• The Historic Everett Theatre, built in 1901, was rescued from oblivion in 1995 when the non-profit Everett Theatre Society was formed, which purchased and renovated the theatre for both live performances and movie screenings.

• The Lincoln Theatre in Mount Vernon, built in 1926, is maintained by The Lincoln Theatre Center Foundation, a volunteer board of directors who meet monthly. The theatre hosts independent and foreign films, live theater, concerts, and it can be rented for special events.

• The Grand Illusion Cinema in Seattle, built in 1968, was saved from closure in 1997 by the non-profit Northwest Film Forum, and after renovations continues to run independent and foreign films. 

These revitalization stories are just the tip of the iceberg. As more and more historic theaters go dark, it becomes more important to try to save the few remaining movie houses we have left.

And what a treasure the Olympic is for the town of Arlington — like many other historic downtown structures, it serves as a kind of "ballast" for the community.

So now is the time to ask ourselves: does Arlington want to be the kind of town that would let its movie theater close forever? I certainly hope it's not.